Amid grumblings of a “general fatigue” when it comes to software-based startups, a potentially transformative technology called 3D printing is poised to reach critical mass and mainstream awareness. Today’s news headlines about the technology tend to focus on the extreme possibilities in being able to print objects on demand – from the terrors of things like a homemade 3D-printed gun to heartwarming tales of printed robotic hands for children born without fingers. But the innovation is also powering a revolution of a different kind. An emerging class of creatives are using 3D printing techniques, not to either save or destroy the world and the people in it, but simply create a little beauty along the way. These creatives, makers of the new “handmade” goods, are selling their art in online storefronts like Etsy and Shapeways, as well as within brick-and-mortar stores, and even museums. They range from technically adept programmers who never dabbled in hands-on art involving paint or clay or other materials, to formally trained artists and even do-it-yourselfers who taught themselves 3D modeling by watching tutorials on YouTube. Regardless of how they got there, the end result is an output of affordably priced, print-on-demand goods that reflect their own unique vision and inspirations, whether that’s a new kind of jewelry that couldn’t exist before the capabilities introduced by 3D printing, one-of-a-kind items used to decorate your home, or objects which buyers help craft themselves, using simple online tools. Here are some of their stories. This is part one of an ongoing series which will showcase some of the art that’s being fueled by the increasingly accessible 3D printing technology, and the artists behind the work. ~~~ Part One: The Formally Trained Artist Summer Powell has always been an artist. She has both undergrad and graduate degrees in graphic design, and has worked on a number of products involving mixed media, vacuum forming, and lenticular technology, while exploring the intersection of art and technology in years past. Along with a collaborator, she once produced a clock which used high-resolution animations to tell the time, for example. Powell says she first heard about 3D printing around ten years ago, and had been watching the space ever since, waiting for it to become viable for use in her art. “I had industrial designer friends in New York, and I’d go see their prototyping 3D printing machines,” she says. “They were making
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It's nice to see a startup trying something different and garnering some promising traction along the way. The UK's Bloom.fm is a mobile-first music streaming service -- it currently exists as an iOS app only -- that launched four months ago out of the ashes of the deadpooled music social network mflow. Read more [...] 
Jolla, the Finnish MeeGo startup comprised of ex-Nokians building their own mobile hardware and Sailfish OS, has finally taken the wraps off its first handset, revealing what the hardware will look like on its website. The design is a clean looking, elegant slab, with the most stand-out feature being the coloured shell on the back that wraps around half the sides of the phone. The shell colours, which appear to be user-customisable, can influence the theme colours of the Sailfish UI. This is a feature Jolla is calling “the Other Half”. “Attach the Other Half and your Jolla becomes alive and unique,” the text notes. “Magically, the software changes to match your selected colour and design. Your Ambience. Your Jolla.” The removable, customisable shells brings to mind Nokia’s Lumia 820 — a device for which Nokia has released the 3D print files so owners of 3D printers can design and print their own custom shell. The phone will cost €399 and is slated to ship at the end of the year. Jolla notes: Expected availability by end of 2013 subject to demand in your local market. Sales will start in European countries with more countries to follow. If you join the Movement and get the pre-order number to buy the phone when available, you’ll pay no more than 399€; including applicable VAT in Europe, but excluding shipping costs, duties and any local taxes. Specs wise, the device has a 4.5″ Estrade display, a dual-core chip, 4G, 16GB internal memory plus a microSD card slot, an 8MP auto focus camera, a user-replaceable battery. The device is powered by Jolla’s Sailfish OS but can also run Android apps. The hardware reveal is also the start of Jolla’s pre-order sales campaign, announced last month. Jolla is due to hold an event in Helsinki today — dubbed the Jolla LoveDay — to promote the handset and encourage fans to pre-oder the device, having kept the design tightly under wraps up to now. Developing… 
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It’s been a little over a year since Google started teasing something it called “Project Glass.” The futuristic, wearable computer that would change the way that you interact with the world was nothing more than a series of rumors for months before it was “formally introduced” in April 2012. Not known for hardware and not having a current bonafide physical device that was popular among consumers, many opined that this was Google’s way of begging for attention. It might have been, and it definitely worked. In thirteen months, Glass has gone from Star Trek fantasy to reality. It’s been quite the whirlwind of activity. The “wearable computing” age is upon us, and it’s been widely reported that Apple was working on a watch, therefore many assumed that Google was working on a similar device to keep up. This was clearly not the case and Google’s co-founder Sergey Brin took special interest in the Glass project and has been leading the charge going back to when prototype weighed around eight pounds in August 2011. Let’s take a stroll down memory lane, as a lot has happened over the past year in Glassland. It’s real(ish) The video from Google itself got sent people’s imaginations into overdrive. It was called “One day…” and gave us a glimpse into the life of a daily user of what Google had up its sleeve. We now know that the “One day…” reference had more to do with what the product could become, not what it would be in its first iteration: The user experience in this video is aspirational, at best, as the current iteration of Glass is more of a compliment and utility to your day, rather than the augmented reality “enhancer” as this video demonstrates. Still, the elements that make Glass handy are all there, taking calls, getting directions and taking pictures from a new point of view. Immediately after the video, and public admonishment that the project was real, the press wondered out loud if Apple should compete and that other companies should stand up and take notice. We also now know that the rumored final name for the device, Google Eye, isn’t likely. Good thing, because it sounds way creepier than Glass. We’ll get to more “creepiness” later. It was clear that Glass was getting a lot of attention, both positive and negative, from the start. Even Jon Stewart did a parody